UP Gallery

Hsinchu Attractions

The End of the Image Museum 1
The End of the Image Museum 1

Address:Lane 53, Dongnan Street, No. 47-1

UP Gallery Introduction

The Hsinchu Heritage Image Museum is housed in a building that carries a rich historical context and cultural characteristics. It was originally the first private glass factory established in Hsinchu City in 1925, founded by Liao Qi-Ming's son, Liao Fu-Di, and built in 1985. This building witnessed the development of the Hsinchu glass industry and recorded the transformation of the city's industry and culture. In 2009, under the careful design and renovation by the founder Liao Yi-Jia, this historical building re-emerged with a fresh appearance, injecting new life into modern cultural and artistic activities. The architectural design balances tradition and innovation, with the originally closed old house facade transformed into a wave-like structure, newly painted in pure white, giving the building a flowing and modern aesthetic while retaining its historical essence. The interior space cleverly integrates elements of Taiwan’s historical memory, such as marble floors, window grilles, and wooden doors, showcasing the craftsmanship of the architecture and allowing a glimpse into nearly 40 years of Taiwan's historical trajectory. The Image Museum serves as a cultural space that not only embodies the beauty of the architecture and deep historical memory but also becomes a carrier of stories that transcend time. Transitioning from a former glass factory to a contemporary cultural venue, the transformation of this building symbolizes the rebirth and innovation of local culture in Hsinchu. The exhibitions within focus not only on local artists' creations but also introduce works from international artists, promoting artistic exchange between local and global cultures through diverse cultural presentations. While appreciating the exhibitions, visitors can also feel the blend of historical memories of the Hsinchu area and the atmosphere of modern art within the architectural space, allowing each visitor who steps into the museum to deeply comprehend the rich and far-reaching cultural connotations behind the architecture. In summary, considering its historical and cultural significance, the Image Museum is not only a space for artistic performance but also a cultural landmark connecting the past and the future. Its existence not only evokes memories of Hsinchu’s glass industry history but also provides a platform for preserving and disseminating contemporary image culture, becoming an indispensable part of the cultural landscape of Hsinchu City, continuously injecting cultural vitality into urban development.

Outdated Image Museum 2 Outdated Image Museum 2
Eternal Image Museum 3 Eternal Image Museum 3

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