Erin Township Liao Wenhe Puppet Troupe

Yunlin Attractions

二崙鄉廖文和布袋戲團
二崙鄉廖文和布袋戲團

Mr. Liao Wen-He started playing glove puppetry from a young age. With puppets larger than usual, his performances are lively and exquisite, combined with well-crafted storylines. He can change his voice to portray over twenty characters, attracting large crowds at every show and receiving invitations to participate in ticketed performances abroad, bringing Taiwan's traditional art to the international stage. The Liao Wen-He Puppet Troupe was established in 1976. In the days when television was not yet developed, theater troupes across the island could attract audiences through performances in theaters or outdoor stages. However, as television programs became popular, the audience for glove puppetry declined sharply. Liao Wen-He, refusing to succumb to the decline of puppet theater, invested heavily to reform the art, expanding the stage and purchasing additional performance equipment. He is dedicated to the art of glove puppetry, featuring traditional small puppets and creating the largest celestial puppets in the country, with oversized sets measuring 100 feet wide, constantly experimenting with new methods of performance.

Address:No. 19, Shaohsing Rd, Erlun Township, Yunlin County

Erin Township Liao Wenhe Puppet Troupe Introduction

Mr. Liao Wen-he began playing puppet theater at a young age. His puppets are larger than usual, and his performances are vivid and exquisite. With well-crafted storylines and the ability to change his voice for over twenty characters, his shows consistently attract large audiences. He has also been invited overseas for ticketed performances, bringing Taiwan's traditional art to the international stage. The Liao Wen-he Puppet Troupe was established in 1976. During a time when television was not yet mainstream, theater troupes across the island could attract audiences in theaters or outdoor performances. However, as television programming gained popularity, viewership of puppet theater plummeted. Rather than surrender to the decline of puppet shows, Liao Wen-he invested heavily in a major reform of puppet theater, expanding the stage and acquiring additional performance equipment. Dedicated to the art of puppet theater, he features the most traditional small wooden puppets while also creating the largest celestial puppets in the country, with enormous backdrops of up to 100 feet wide, constantly experimenting with new performance methods.

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