Erlun Township Liao Wenhe Puppet Theater

Yunlin Attractions

二崙鄉廖文和布袋戲團
二崙鄉廖文和布袋戲團

Mr. Liao Wenhui started playing puppet theater from a young age. His puppets are larger than usual, and the performances are lively and exquisite, paired with captivating storylines. With the ability to change voices for more than twenty characters, each performance attracts large crowds and has even led to invitations for ticketed shows abroad, showcasing Taiwan's traditional art on the international stage. The Liao Wenhui Puppet Troupe was established in 1976. In the era before television became widespread, various troupes across the island performed in theaters or outdoor venues, drawing in audiences. However, as television programs gained popularity, viewership gradually shifted to TV, leading to a significant decline in puppet theater audiences. Mr. Liao refused to succumb to the trend of puppet theater's decline and invested heavily in reforming the art. He expanded the stage, purchased additional performance equipment, and remained dedicated to the art of puppet theater. He preserved ancient traditional wooden puppets and innovated with the largest celestial puppets in the country, featuring enormous backdrops measuring 100 feet wide, continually experimenting with ways to enhance puppet theater performances.

Address:No. 19, Shaoxing Rd, Erlun Township, Yunlin County

Erlun Township Liao Wenhe Puppet Theater Introduction

Mr. Liao Wen-he started playing puppetry at a young age. His puppets are larger than usual, and his performances are vivid and exquisite, complemented by exciting storylines. He can portray over twenty different characters through voice changes, attracting large audiences at every performance. He has been invited to participate in overseas ticketed shows, bringing Taiwan's traditional art to the international stage. The Liao Wen-he Puppet Troupe was established in 1976. In the era before television became widespread, troop performances in theaters or outdoor stages across the island attracted many viewers. However, as television programs became popular, watching TV gradually became the primary leisure activity for the public, leading to a severe decline in puppetry audiences. Mr. Liao did not succumb to the decline of puppetry; instead, he invested heavily in significant reforms, expanding stages and acquiring performance equipment. He remains dedicated to the art of puppetry, utilizing traditional small wooden puppets while also creating the largest celestial puppets in the country and the biggest sets, with an impressive width of 100 feet, constantly attempting to innovate the performance methods of puppetry.

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