Er-Lun Township Liao Wen-He Puppet Troupe

Yunlin Attractions

二崙鄉廖文和布袋戲團
二崙鄉廖文和布袋戲團

Mr. Liao Wen-He started playing glove puppetry from a young age. His puppets are larger than usual, and the performances are vivid and exquisite, coupled with well-crafted stories. With the ability to change voices for over twenty characters, each performance attracts huge crowds and has even led to invitations for paid performances abroad, bringing Taiwan's traditional art to the international stage. The Liao Wen-He Puppet Troupe was established in 1976. In the past, when television was not yet widespread, various theater troupes across the province performed in theaters or outdoor stages, drawing in audiences. However, as television programs became popular, watching TV gradually became the main leisure activity for the public, leading to a significant decline in glove puppetry audiences. Liao Wen-He refused to succumb to the decline of glove puppetry, investing heavily in a major reform of the art form. He expanded the stage, purchased additional performance equipment, and dedicated himself to the art of glove puppetry, featuring the most ancient traditional wooden puppets while also creating the largest celestial puppets in the country and the biggest set design, a massive 100-foot wide backdrop, continuously experimenting with improvements in the performance style of glove puppetry.

Address:No. 19, Shaohsing Road, Erlun Township, Yunlin County

Er-Lun Township Liao Wen-He Puppet Troupe Introduction

Mr. Liao Wenhe started playing puppet theater since childhood. The puppets he creates are larger than usual, and the performances are lively and exquisite. Coupled with exciting storytelling, he can change his voice to portray more than twenty characters, which attracts a packed audience for each show. He has also been invited to participate in paid performances abroad, bringing Taiwan's traditional arts to the international stage. The Liao Wenhe Puppet Theater Troupe was established in 1976. In the era before television became widespread, theater troupes across the province performed in theaters or outdoor stages, drawing audiences. However, as television programs became popular, watching TV gradually became the primary leisure activity for the public, leading to a significant loss of viewers for puppet theater. Liao Wenhe did not succumb to the decline of puppet shows; instead, he invested heavily to reform the art of puppet theater. He expanded the stage, upgraded performance equipment, and remained committed to the art of puppet performance, featuring the most traditional small wooden puppets and even creating the largest fairy puppets in the country, with the largest set measuring 100 feet wide, constantly experimenting with new ways to improve puppet theater performances.

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