Heavenly Realm Introduction
Standing outside the Nangang Exhibition Center, the public art piece "The Realm of Heaven and Man" represents a source of life for civilization, nurturing the hollow soul, allowing it to joyfully step out with a beautiful rhythm. Two enormous hands, one pointing to the ground and the other to the sky, touch at their fingertips, symbolizing the interface between heaven and man, with the colorful rings representing infinity and limitless extension. This interface can bridge billions of kilometers across space and time, achieving a lifetime's effort without a single inch of progress. It can also traverse the realms of the heavens and the underworld effortlessly, bringing thoughts from distant ages with a snap of the fingers. Crafted from colorful kiln-fired glass in a design of nine overlapping rings, it delineates the worlds of nature and civilization. This interface, along with themes like "Between Thoughts" and "The Infinite Self," harmonizes with the colors and circular forms, resonating with the rhythm of the song of the seasons and the dance of life, aptly concluding the entire concept. Some may gain sudden enlightenment, while others resonate with the sorrowful winds; the answers are myriad, yet only through a profound understanding and coordination of civilization with nature can civilization itself extend into infinity.
