Heavenly Realm Introduction
Standing outside the Nangang Exhibition Center is the public art piece "The Realm of Man and Heaven." Like the life-giving spring of civilization nourishing hollow souls, it encourages joy to step out with a rhythmically beautiful pace. Two giant hands, one pointing to the ground and the other to the sky, converge at the fingertips, representing the interface between man and heaven, with the rainbow symbolizing the infinite and boundless extension. This interface can foresee billions of kilometers across a time span of ten thousand years, spending a lifetime in pursuit with no measurably tangible achievements. It also allows thoughts to flow freely between the azure sky and yellow springs, ancestrally traversing the void at a snap of the fingers across countless generations. The piece, made of colored kiln-fired glass interwoven in nine loops, delineates the worlds of nature and civilization. This interface, along with concepts like "Between Thinking" and "Limitless Subject and Object," achieves a height where the circular colors resonate with the rhythm of the life dance of the four seasons, providing the perfect conclusion to the entire concept. Some attain instant enlightenment, while others resonate with the mournful winds, and the answers can be diverse. Only a full understanding and harmony of civilization with nature can allow civilization itself to extend into the infinite.
