Heavenly Realm Introduction
Outside the Nangang Exhibition Center stands the public art piece "The Realm of Humans and Heaven." It is akin to a life-giving spring for civilization, nourishing hollow souls, prompting them to step joyfully to a beautiful rhythm. Two gigantic hands, one pointing to the ground and the other to the sky, connect at their fingertips, marking the boundary between humans and heaven. The colored rings symbolize infinity and endless extension. The interface between humans and heaven can reach billions of kilometers across millennia, exhausting a lifetime's effort without achieving a single inch of progress. It also allows for unobstructed thoughts between the azure heavens and the yellow springs, enabling timeless spiritual journeys that reach their destinations in a snap. Using nine overlapping colorful kiln-fired glass rings, it separates the natural world from the civilized world. This interface, alongside the heights of "Between Thoughts" and "The Infinite Self," with its circular colors, synchronizes with the rhythms of the seasons and the dance of life, providing the best punctuation for the entire concept. Some gain sudden enlightenment, while others resonate with the mournful wind; amidst the myriad answers, only a full understanding and coordination between civilization and nature allow for civilization itself to extend into the infinite.
