Heavenly Realm Introduction
Standing outside the Nangang Exhibition Center is the public art piece "The Realm of Heaven and Humanity." Like a life-giving spring nourishing hollow souls, it inspires joyful rhythms in our steps. Two giant hands, one pointing to the ground and the other to the sky, meet at the fingertips, representing the intersection of heaven and humanity. The colorful rings symbolize endlessness and infinite extension. This interface can transcend billions of kilometers and millennia, summoning the strength of a lifetime yet achieving nothing substantial. It can also allow for unimpeded thoughts from the blue sky to the depths of the underworld, instantly reaching the void through the ages. The nine overlapping colorful kiln-fired glass rings separate the world of nature from the world of civilization. This interface, along with "Between Thoughts" and "Limitless Self and Object," has hues and circular forms that dance in time with the song of the four seasons, providing a perfect closure to the entire concept. Some achieve sudden enlightenment, while others are left resonating in the mournful winds. The answers may vary, but only through a full understanding and harmony of civilization with nature can civilization itself extend into infinity.
