Jinban Mazu Temple Introduction
The culturally rich temple, Jinbanjing Tianhou Temple, has a history of over a hundred years and is said to have been built during the Jiaqing period of the Qing Dynasty by the notorious pirate Cai Qian in hopes of divine protection. It was later restored by residents during the Tongzhi period and underwent four renovations in 1919, 1949, 1979, and 1984. It is also known as "Tieban Tianhou Temple." The ancient temple architecture retains the Fujian Eastern style with intricately carved beams and painted rafters. The interior is made of Fuzhou cedar and employs the bracket-type construction method, with pillars, beams, rafters, and brackets clearly visible. The roof features an overhanging eave style. The main entrance was originally a board wall façade but later changed to a brick wall to protect the wooden structure from long-term weathering damage. The temple enshrines various deities including the Queen of Heaven (Mazu), General Chen, the Emperor Huaguang, Lady Linshui, and the God of Wealth. The statues and altars display exquisite and ancient craftsmanship. The temple is particularly famous for its statue of the sea goddess Mazu, which retains an elegant charm and is uniquely depicted as a "young Mazu." Additionally, two altars on the sides present a rare "temple within a temple" form, exuding a simple and elegant atmosphere. Although modest in size, it boasts an unbeatable sea view, making the scenery exceptionally beautiful. During the Mid-Autumn Festival, a communal "Burning Towers" activity takes place in the plaza in front of Jinbanjing Tianhou Temple, which serves as a resting area for villagers. This warm family reunion event has been passed down for over a century in the Fujian Eastern region and is currently only celebrated in Ren'ai Village, Matsu, Taiwan. The towers, which range in height from about 1 to 3 meters, are mainly built using broken tiles, with an opening left at the top for fuel placement. The practice of burning waste during the Mid-Autumn Festival is a way to cherish blessings and show respect, as well as to signify the removal of old, bad luck.
